Sonic the Hedgehog 2 follows up the screen franchise’s 2020 kick-off that featured a mix of animation and live action. The movie intersperses intense action chase sequences with wisecracks.
Dr Stephen Strange is a neurosurgeon turned grand wizard who has been trained in the dark arts and manipulation of the astral plane. This maddening, multidimensional, decidedly strange, yet typically “Marvel”-ous movie is based on the comic book series.
The Bad Guys is a high-octane, older-kid-friendly animated comedy that introduces a criminal crew of anthropomorphised animals who have their fellow citizens of Los Angeles trembling in fear.
In crafting this third instalment in the franchise that began in 2016 with an adaptation of Rowling’s 2001 novel Fantastic Beasts and Where to Find Them, returning director David Yates takes viewers on a trot around the globe of the early 1930s and marshals imposing special effects.
Mark Wahlberg stars in Father Stu, an unflinchingly honest, funny, and uplifting drama based on the true story of boxer-turned-priest Stuart Long’s inspiring journey to redemption.
The Record has 5 double passes to give away, courtesy of Sony Pictures.
All you have to do is tell us who is your favourite priest and why!
Send your entries with your name, parish, phone number and email to therecord@therecord.com.au by COB Wednesday 27 April. Winners announced by email or phone Thursday 28 April.
Turning Red, the latest feature from the Mouse House, streaming now on Disney+, breaks new ground, dealing with puberty and menstruation, while also celebrating the bonds of family and friendship.
Adult Adam (Ryan Reynolds) hails from the year 2050. Arriving in the present, he teams with his 12-year-old self (Walker Scobell) to nip a future problem for humanity in the bud.
Ben Affleck plays Louisiana tech whiz Vic Van Allen in Director Adrian Lyne’s edgy psychological drama Deep Water (Hulu).
“The Batman” (Warner Bros.). Director and co-writer Matt Reeves’ reboot of the DC Comics-based franchise is a darkly powerful affair, and its script – penned with Peter Craig – plays with the interesting question whether the iconic crimefighter of the title is, in fact, a hero.