The tedious sci-fi parable “Voyagers” (Lionsgate) seems designed to prove that in space, no one can hear you yawn.

The goal of a film bearing the title “Godzilla vs Kong” would seem to be simple enough. Set the iconic beasts raging at each other until at least one Asian city has been devastated, then roll the credits.

Clever but morally misguided, Nobody (Universal) is a bloody action flick that’s suitable for no one starring Bob Odenkirk as mild-mannered accountant who is actually a highly skilled former military operative trying to live an ordinary life. By John Mulderig.

The Father has nothing new to say about the challenges of dementia. Yet, in adapting his play with co-screenwriter Christopher Hampton, director Florian Zeller does succeed in presenting the difficulties resulting from that illness in an innovative way. By Kurt Jensen.

The lively and colourful animated adventure “Raya and the Last Dragon” teaches viewers that trust is the necessary basis of peaceful coexistence while showcasing the ills produced by greed and aggression.

Set in the 1980s, Minari (A24), a gentle mix of drama and comedy, explores the immigrant experience from a Korean American perspective.

Director Miranda de Pencier’s drama The Grizzlies (Northwood Entertainment) tells the inspiring true story of a town that suffered the highest suicide rate in North America but found hope through the introduction of a lacrosse programme for its teens.

Written by Don Willis, “The Penitent Thief” is a never before-told story of the cross of two unnamed men who were crucified alongside Jesus and how they came to be beside him on the cross that fateful day.

What happens when a six-year-old boy is abandoned by his family and left to raise himself on the streets? Mully isn’t your ordinary rags-to-riches tale; it’s the true story of Charles Mully, whose unlikely stratospheric rise to wealth and power leaves him questioning his existence, searching for meaning in life.

In the brooding crime-drama The Little Things (Warner Bros), writer-director John Lee Hancock sets out to explore moral ambiguity in the context of police work. The result, however, ultimately feels more muddled than finely balanced.