The Chosen is a groundbreaking historical drama based on the life of Jesus, seen through the eyes of those who knew him.
As leader of the titular team of miscellaneous superheroes, Peter is naturally alarmed when a previously unknown enemy endowed with mighty fighting prowess suddenly invades the ensemble’s headquarters, Knowhere.
The title may be an oxymoron, but there’s nothing paradoxical about Honest Thief (Open Road); it’s a solid, entertaining action-thriller.
Satan does seem to be having his way around the clock in the harrowingly grim, mayhem-ridden drama The Devil All the Time (Netflix). In fact, various forms of perversity are so pervasive in the film that it skirts the border of the offensive.
Of the numerous film adaptations of Charles Dickens’ autobiographical 1850 novel, The Personal History of David Copperfield (Fox Searchlight) may rank as the happiest.
Sex is more fun than being Catholic. That’s the basic message of writer-director Karen Maine’s semi-autobiographical drama Yes, God, Yes (Vertical).
The Outsider, by the London Tablet’s Vatican correspondent Christopher Lamb, is a sustained defence of Pope Francis. Lambert presents him as reviving the hopes of the Second Vatican Council and as inspirer of renewal movements throughout the Catholic Church. Occasionally he waxes lyrical in his praise.
There’s an adolescent quality to the nihilism that underlies director Max Barbakow’s feature debut, the romantic comedy Palm Springs (Neon/Hulu). Its frivolous and degraded view of matters sexual is equally immature.