As Agent 007 experiences romantic complications in his relationship with his latest girlfriend (Lea Seydoux), he also must contend with the schemes of two villains (Rami Malek and Christoph Waltz), a rift between the British and American intelligence authorities, a dark secret being harbored by his boss (Ralph Fiennes) and competition from a younger operative (Lashana Lynch).

After a mysterious intruder murders her abusive husband (Jake Abel) and attacks her, causing the latest in a series of miscarriages she has suffered, a troubled woman (Annabelle Wallis) inexplicably begins to witness other slayings by the same killer, being somehow transported, by means she can’t figure out, in a paralyzed trance state to the scene of each crime.

Camila Cabello plays the namesake character in the latest rendition of Cinderella. In this take, Cinderella aspires to become a fashionable dressmaker, but finds her ambition thwarted by the wildly retrograde view of a woman’s proper role that prevails in her fictional, quasi-medieval society.

Searching for fresh inspiration, an artistically blocked painter, investigates the urban legend concerning the hook-handed murderer of the title that long prevailed among the once-deprived area’s residents (including Colman Domingo). What begins, under the direction of Nia DaCosta, who co-wrote the script with Jordan Peele and Win Rosenfeld, as an uneasy blend of slasher film and social commentary degenerates, by its conclusion, into a fantasy of racial revenge wholly at odds with Gospel values.

As an addition to the Marvel Comics cinematic universe, the origin story ‘Black Widow’ (Disney) provides the expected elements of large-scale special effects and intrepid derring-do.

A Quiet Place Part II drains away the suspense, analogies and underlying message about family bonds from the 2018 original in order to set up a franchise reminiscent of an immersive dystopian theme-park ride.

The lively and colourful animated adventure “Raya and the Last Dragon” teaches viewers that trust is the necessary basis of peaceful coexistence while showcasing the ills produced by greed and aggression.

Set in the 1980s, Minari (A24), a gentle mix of drama and comedy, explores the immigrant experience from a Korean American perspective.

Director Miranda de Pencier’s drama The Grizzlies (Northwood Entertainment) tells the inspiring true story of a town that suffered the highest suicide rate in North America but found hope through the introduction of a lacrosse programme for its teens.

Seventy years have passed since cunning understudy Anne Baxter usurped glamorous star Bette Davis in “All About Eve.” Now, with “The White Tiger” (Netflix), comes a grittier, ethically unmoored take on ambition and deceit set in modern-day India.