Godzilla vs Kong

22 Apr 2021

By Contributor

Scene from Godzilla vs Kong.
This is a scene from the movie “Godzilla vs Kong”. Photo: Warner Bros Pictures and Legendary Pictures.

By John Mulderig

The goal of a film bearing the title Godzilla vs Kong (Warner Bros) would seem to be simple enough. Set the iconic beasts raging at each other until at least one Asian city has been devastated, then roll the credits.

Alas, not content with such a straightforward aim, screenwriters Eric Pearson and Max Borenstein entangle their showdown in the varied strands of interaction among an ensemble cast. The unintended upshot is that the outsized brutes prove a good deal more interesting than the puny humans.

Director Adam Wingard’s creature feature – a follow-up to both 2019’s Godzilla: King of the Monsters and Kong: Skull Island from 2017 – turns out, accordingly, to be visually spectacular but dramatically feeble. As the diffuse plot becomes ever more involved, grown viewers who can handle bloodless mayhem and occasionally vulgar dialogue may be longing to get on with the smackdown.

Those on whose fortunes we are meant to hang include Jia (Kaylee Hottle), an orphaned deaf girl who has won Kong’s affection – albeit with far fewer alarming results than those Fay Wray long ago inspired – and Jia’s adoptive mother, Ilene (Rebecca Hall), a linguist who tries to communicate with the big simian.

We are also called on to track eccentric podcaster Bernie (Brian Tyree Henry) and his efforts to uncover shenanigans at a high-tech conglomerate (where would we be, after all, without an evil corporation?). Bernie, we note, acquires a teen protege in the earnest person of Madison (Millie Bobby Brown).

Another figure thrown into the crowded mix is scientist and author Nathan Lind (Alexander Skarsgard). He embarks on a quest to reach the centre of the earth.

Eventually, the real stars do regain centre stage. So, by showing some patience, those searching for top-flight special effects and crashing skyscrapers will be well satisfied. As for movie fans looking for memorable characters… well, the hunt continues.

The film contains frequent stylised violence, at least one use of profanity, several milder oaths, about a half-dozen crude terms and a couple of vulgar expressions.

The Catholic News Service classification is A-III – adults. The Motion Picture Association rating is PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13.