Reviewed by Jamie O’Brien
Few biblical figures loom as large in the Christian imagination as King David: shepherd, psalmist, sinner and saint.
In David, the upcoming animated musical directed by Phil Cunningham and Brent Dawes, audiences are invited to rediscover this familiar story with fresh eyes — not as a distant legend, but as a deeply human journey of calling, trust and faithfulness to God.
Produced by Sunrise Animation Studios and released under Angel Studios, David is a visually rich, family-friendly retelling of the biblical narrative drawn primarily from 1 Samuel.
The film follows the young shepherd David from the fields of Bethlehem to the Valley of Elah, and ultimately to the throne of Israel, tracing his growth in faith as he learns to trust God amid fear, rejection and moral complexity .
What distinguishes David from many previous biblical adaptations is its theological restraint and reverence.
God is never anthropomorphised or voiced directly; instead, His presence is revealed through creation, music and quiet conviction.
This choice, explained by the filmmakers as a commitment to “authenticity” rather than strict literalism, aligns well with a Catholic sacramental imagination — one that recognises God’s action through signs, beauty and conscience rather than spectacle alone .
The film’s musical dimension is another highlight. With original songs written by a team that includes Grammy-winning and Christian artists, the music functions not as interruption but as prayerful reflection.
Particularly noteworthy is the casting of Phil Wickham, a well-known worship musician, as the voice of the adult David.
His involvement underscores the biblical truth that David’s kingship and psalms flow from the same heart — one that seeks the Lord in joy and repentance alike.
Visually, David blends painterly realism with stylised animation, evoking the gravity of films like The Prince of Egypt while remaining accessible to younger viewers.
Landscapes of ancient Israel are rendered with striking care, informed by archaeological research and on-location study, lending the film a grounded historical texture that avoids cartoon excess.
For Catholic families, the film offers rich catechetical value. Themes of vocation, humility, mercy and obedience to God are central.
David’s refusal to kill Saul, even when given the chance, speaks powerfully to Catholic teachings on conscience, moral restraint and trust in divine providence.
Importantly, the film does not present David as flawless.
His fear, doubt and guilt are shown honestly, making his faith all the more credible — and relatable.
Some older viewers may notice that darker elements of David’s later life are omitted. This is a deliberate choice, shaped by the intended family audience, and does not detract from the film’s spiritual integrity.
Rather, it invites discussion and further engagement with Scripture, making David an excellent companion to parish, school and home faith formation.
Ultimately, David succeeds not because it retells a famous battle, but because it reminds viewers that God delights in calling the unlikely — and remains faithful even when His chosen servants falter.
It is a reverent, joyful and beautifully crafted film that speaks across generations, encouraging audiences to trust, like David, that the Lord is at work long before the final tapestry is revealed.
David will be released in cinemas nationwide from 15 January.
The Record has 10 passes (Admit 4) of David to give away. Simply tell us your favourite part of David’s story to enter together your name, email and mobile number by emailing therecord@therecord.com.au. Entries close Friday 2 January 2026.