Director Polly Steele’s adaptation of Niall Williams’ acclaimed novel, Four Letters of Love, is a poetic exploration of fate, family, and divine intervention, set against the sweeping, rugged beauty of Ireland’s western coast.
Starring Pierce Brosnan, Helena Bonham Carter, and Gabriel Byrne, the film resonates deeply with Catholic themes of providence, forgiveness, and the mysterious workings of God’s grace.
The film introduces Nicholas (Fionn O’Shea), a sensitive young man from a quiet Dublin household turned upside-down by his father William’s (Pierce Brosnan) sudden, God-inspired decision to abandon his civil service career to pursue painting.
Simultaneously, Isabel (Ann Skelly), a spirited young woman from a remote western island, grapples with family tragedy after her brother’s inexplicable accident. Their stories, initially separate yet spiritually linked, unfold in parallel until fate orchestrates their paths to cross.
Steele and cinematographer Damien Elliott vividly capture Ireland’s natural grandeur, reflecting the spiritual undercurrents of the narrative. Every scene, from the stormy Atlantic shores to the sunlit beaches of Donegal, serves as a visual metaphor for the tumult and tranquility of faith.
The film deftly balances realism with a dream-like quality, echoing themes of mystical Catholic spirituality and divine purpose.
Brosnan delivers a compelling portrayal as William Coughlan, bringing authenticity drawn from his own lifelong passion for painting.
His character embodies the internal battle between worldly responsibilities and the irresistible pull of spiritual vocation.
Likewise, Bonham Carter shines as Margaret Gore, Isabel’s fiercely protective mother whose pragmatic worldview clashes with the poetic ideals of her husband, played convincingly by Gabriel Byrne.
Central to the narrative is the idea that divine providence is constantly at work. Nicholas and Isabel’s eventual meeting is depicted as more than coincidence—it is presented as a subtle act of divine orchestration.
Ann Skelly captures Isabel’s passionate, restless spirit as she struggles between her obligations and her heart’s desires.
Opposite her, O’Shea’s nuanced portrayal of Nicholas conveys a quiet resilience and unwavering hope, rooted deeply in his sense of faith.
The film’s spiritual dimensions, from William’s abrupt life-change inspired by what he believes to be God’s voice, to Isabel’s introspective dialogues with the divine, align seamlessly with Catholic teachings on discernment and trust in God’s timing.
Particularly touching is the climactic scene where Nicholas’ simple letter inscribed with the single word “LOVE” echoes the profound Catholic teaching that, ultimately, love is the greatest force at play in our lives.
Composer Anne Nikitin’s evocative score further enriches the film, blending haunting melodies with traditional Irish influences, underscoring the emotional and spiritual journeys of the characters. Her compositions, paired with striking cinematography, create moments of profound beauty that linger long after the credits roll.
Ultimately, Four Letters of Love is an enchanting, heartfelt meditation on love’s transformative power and the mysterious yet purposeful hand of God in human lives. It invites viewers—especially those of faith—to reflect on the hidden threads of grace woven through our seemingly ordinary experiences.
It is a film not merely to be watched, but to be contemplated deeply, long after leaving the cinema.
The Record has four double passes to give away to Four Letters of Love.
To win, simply tell us your name and parish to therecord@therecord.com.au.